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	<title>blog.twentysix.net &#187; IMDB</title>
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	<description>Bryan Hong&#039;s Blog</description>
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		<title>The best way to get &#8220;film look&#8221;</title>
		<link>http://blog.twentysix.net/2009/07/29/the-best-way-to-get-film-look/</link>
		<comments>http://blog.twentysix.net/2009/07/29/the-best-way-to-get-film-look/#comments</comments>
		<pubDate>Thu, 30 Jul 2009 06:00:38 +0000</pubDate>
		<dc:creator>Bryan</dc:creator>
				<category><![CDATA[Film and Film Making]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[IMDB]]></category>

		<guid isPermaLink="false">http://blog.twentysix.net/?p=257</guid>
		<description><![CDATA[Despite all kinds of claims to the contrary, shooting in 24p with a 35mm lens adapter with prime lenses will not make your digital video images look like film. The best way to get &#8220;film look&#8221; is to shoot on film. Of course, this is somethign that I (and many others) have been saying for [...]]]></description>
			<content:encoded><![CDATA[<p>Despite all kinds of claims to the contrary, shooting in 24p with a 35mm lens adapter with prime lenses will <em>not</em> make your digital video images look like film.</p>
<p>The best way to get &#8220;film look&#8221; is to shoot on film. Of course, this is somethign that I (and many others) have been saying for a while now but last night I got quite a rude re-awakening on this.</p>
<p>Last night, &#8220;<a href="http://www.imdb.com/title/tt1467291/" target="_blank">Returning</a>&#8220;, a short film I produced and shot screened at the <a href="http://www.lashortsfest.com" target="_blank">L.A. Shorts Festival</a>. It was shot on a Panasonic DVX100 (provided by my friend Brian) with a Red Rock M2 35mm lens adapter and a set of Nikon prime lenses. Not exactly current state of the art equipment, I know, but it was what we could get.</p>
<p>At this particular festival, the allowed submission formats are 35mm film print and standard definition video on DigiBeta tape. &#8220;Returning&#8221; had the unfortunate honor of being the first film in its program to be projected in standard definition video after the first film was shot on 35mm and projected from a film print.</p>
<p>Yikes. The transition from film to standard definition video made my eyes hurt. But it was so much more than that. The depth and richness of color&#8230; the contrast&#8230; there&#8217;s so much more to the look of film than just the resolution, latitude and depth of field, and last night was quite a vivid reminder of that for me for sure.</p>
<p>-Bryan</p>
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		<title>Watch &#8220;Shelter&#8221; on IMDB!</title>
		<link>http://blog.twentysix.net/2008/06/15/watch-shelter-on-imdb/</link>
		<comments>http://blog.twentysix.net/2008/06/15/watch-shelter-on-imdb/#comments</comments>
		<pubDate>Sun, 15 Jun 2008 11:06:23 +0000</pubDate>
		<dc:creator>Bryan</dc:creator>
				<category><![CDATA[Film and Film Making]]></category>
		<category><![CDATA[IMDB]]></category>
		<category><![CDATA[Shelter]]></category>
		<category><![CDATA[short film]]></category>

		<guid isPermaLink="false">http://blog.twentysix.net/?p=12</guid>
		<description><![CDATA[&#8220;Shelter&#8221;, a short film I shot in film school can now be viewed in its entirety right off its IMDB page! Mike hurry up and write your next film so we can shoot it! -Bryan]]></description>
			<content:encoded><![CDATA[<p>&#8220;Shelter&#8221;, a short film I shot in film school can now be viewed in its entirety right off <a href="http://www.imdb.com/title/tt1008716/" target="blank">its IMDB page</a>!</p>
<p>Mike hurry up and write your next film so we can shoot it!</p>
<p style="padding-left: 30px;">-Bryan</p>
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